Steep Stairs Review. Volume 10

October 20, 2015

In this volume, Steep Stairs Review continues to build upon its eclectic identity, merging a collection of contemporary critiques of key postmillennial works, alongside independent creative poetry, prose and visual arts. The collection, among others, explores political, social and cultural representations in international literary work, and serves as an intersection between the concept of literature as entertainment and as a medium of communicating important social, cultural and philosophical perspectives.

This volume begins with a collection of critical book reviews: Glen Jennings, in Death and the Movement: Sheng Keyi presents a critical review of Sheng Keyi’s attempt in Death Fugue to portray the Chinese Protest Movement of 1989 and its aftermath. Next, Colm McNaughton in R L Williams’s A Companion to Gabriel Garcia Marquez: A Review underlines the importance of taking into account the historical, political and economic context of Latin America in order to accurately understand Gabriel Garcia Marquez. Katherine Firth in Orange, Pear, Apple, Dada: Emily Gravett, Again! and the avant-garde presents a concise and informative background to the origin of Dadaism followed by a discussion of its place in today’s literature by reviewing Emily Gravett’s award-winning contemporary children’s literature. The final book review in this volume, Between the Thames and the Tiber: The further adventures of Sherlock Holmes: A Review by Michael Todd, introduces the reader to Riccardi, a Conan Doyle imitator and his book Between the Thames and the Tiber: The further adventures of Sherlock Holmes.

The volume continues with a series of critical film and TV series reviews: In his sharp criticism: Metaphor and The Secret Life of Walter Mitty – Feature Film starring and directed by Ben StillerPhilip Kemp highlights the importance of approaching text “with a symbolic, metaphorical and mythological focus” in order to gain deeper appreciation of the social impact of art. Next, in The Secret River and the Masks of White Australian Identity, Michael Heald by critically reviewing a scene from the recent television adaptation of Kate Grenville’s novel The Secret River, reminds us of Australia’s colonial past and White Australian identity. Finally, Susan Karpasitis in What did you think of Gone Girl – you’re a feminist,  don’t you love that kind of stuff? examines the challenges of reading contemporary film narratives through the lens of an ever-changing feminist ideologies.

Next is a collection of poems by Rod BeechamDanny FaheyNazanin Ghodrati and Talitha Fraser who respectively in Reflections of a Perfect, Drowning, The Brick Choir and Untitled  present a defamiliarised version of the everyday struggle from the metaphor of drowning to the issue of identity and self-perception.

Ernie Gray in Sri Lankan Story recounts the emotional journey back to Sri Lanka a decade after surviving the 2004 tsunami that cost thousands of lives in Sri Lanka and worldwide.

Lastly, this volume proudly showcases Sally Dalton-Brown’s abstract expressionist palimpsest paintings in Picasso’s Dust: Sally Dalton-Brown. Her strong brush strokes on the canvas allow for a personal dialogue between the presented image and the resulting subjective interpretation.

 

Steep Stairs Review Editors, Nazanin Ghodrati and Susan Karpasitis

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